The Woman in the House Across the Street From the Girl in the Window

Two British intelligence officers hatch an outlandish scheme to trick the Nazis and alter the course of World War II. Based on a true story of deception. Audacious entrepreneur or con artist?

Join Georgina Rodríguez — mom, influencer, businesswoman and Cristiano Ronaldo’s partner — in this emotional and in-depth portrait of her daily life. The Woman in the House Across the Street from the Girl in the Window Mixing wine, pills, casseroles and an overactive imagination, Anna obsesses over a hunky neighbor across the street and witnesses a murder. Or did she?

Who Is Vivian’S Mother?

Vivian (Hadley Robinson), a seemingly shy 16-year-old, has always preferred to keep her head down and fly under the radar. But when the arrival of a new student (Alycia Pascual-Peña) forces her to examine the unchecked behavior of her fellow students running rampant at her high school, Vivian realizes she’s fed up. Inspired by her mother’s (Amy Poehler) rebellious past, Vivian anonymously publishes an underground zine called Moxie to expose bias and wrongdoing in her high school, and unexpectedly sparks a movement.

What Netflix Original Movie Attempted To Tell An Inspiring Feminist Story?

“Moxie,” one of the newest Netflix original movies, attempts to tell an inspiring feminist story, but the end product is yet another microagressive, white feminist narrative — and the whole time, viewers are watching the wrong main character. In “Moxie,” high school junior Vivan (Hadley Robinson) becomes aware of the rampant sexism at her school and, inspired by her mother’s rebellious past in the Riot Grrrl Movement, distributes an anonymous zine titled “MOXiE!” setting off a snowball of patriarchy-toppling events. Though the subject matter is topical, the movie falls painfully short in many ways.

Vivian’s mother, Lisa, played by Poehler herself, and her friends, took part in the Grrrl movement. It is safe to assume they were all white. In the movie, Lisa admits to Vivian that their activism wasn’t intersectional enough, although this acknowledgement never comes up again later in the film.

These women carved their own feminist pathways into the hardcore scene, precisely because they were rendered invisible by the Riot Grrrl movement.” Most notably, punk musician Tamar-kali Brown founded the Sista Grrrl Movement, a series of wild punk-rock shows by and for Black women and girls. That is because the story centers around Vivian, a white, able-bodied, straight, cisgender girl that only becomes aware of the issues in her high school because of the harassment and injustice her peers face.

In that case, the movie should have focused on the intersections of racism and sexism instead of straying away from them and could have done so by foregrounding Lucy’s story. There is no way to strive towards collective liberation if the leader is a white woman, and Vivian is no exception. Now, “Moxie” does well in including these other marginalized identities where Riot Grrrls were often neglectful, but the film tries to take on too much.

White misogyny-affected people still benefit from white supremacy, but many of them are reluctant to acknowledge their positions of power. Silenced. Where is the feminist inspiration in that?

It is not for women of color; it is not for trans women; it is not for fat, disabled, or neurodivergent women. It is also likely not the last of the “white feminism” media genre, so be warned: “Moxie” is not liberation.

Who Directed ‘Moxie’?

Blame suburban life: Former riot grrl Lisa (Amy Poehler) has mellowed since her days as a patriarchy-smashing punk-rock princess. That’s about to change. When the earnest “Moxie” — which Poehler also directed — opens, unassuming Vivian is stuck in a terrible nightmare, trapped in the woods, terrified, running, and literally unable to use her own voice to save herself.

But there is something very wrong at Rockport, and Poehler gently pokes at that idea even as “Moxie” seems to go through the usual motions. Vivian isn’t the most obvious choice to lead a feminist revolution, but maybe that’s exactly what makes her right for the gig. Inspired by a Bikini Kill song her mom co-opted as a lullaby when Vivian was a kid and a literal suitcase filled with riot grrl paraphernalia, Vivian is moving toward her own feminist awakening by time she’s radicalized by the latest iteration of the list.

Based on Jennifer Mathieu’s YA novel of the same name, screenwriters Tamara Chestna and Dylan Meyer’s earnest script strives to keep any one person from being the bad guy, although Marcia Gay Harden as a decidedly unenlightened principal often makes for a decent villain. Vivian can finally see just how much the girls of Rockport are, at best, overlooked and, at worst, abused by both the system and their (male) classmates. The film will surely prove to be entertaining enough for most viewers, although some audiences might balk at a perceived lack of comedy coming from comedic superstar Poehler.

For its target demo of teenage audiences, it will be less revelatory. Dedicated to shining a light on the many ills of Rockport, she calls it “Moxie” and begins distributing it anonymously. She’ll be found out, of course, but “Moxie” revels in the journey her new outlet takes her on.

Vivian’s new friends reflect the modern world, like the assertive Lucy, soccer stars Kiera (Sydney Park) and Amaya (Anjelika Washington), recently transitioned CJ (Josie Totah), and dress-code target Kaitlynn (Sabrina Haskett). As the Moxie acolytes grow, they become increasingly underwritten; in a second-act Moxie meeting, a trio of new faces never receive names or backstories (a joke lovingly parodied in the “Pitch Perfect” series, and still somehow pervasive, even in the most well-meaning of films). Performances are uniformly solid, especially from its younger stars.

Who Directed The New Netflix Film Moxie?

Moxie’ Says Some Things, But Not Everything, About High School Feminists Enlarge this image toggle caption Netflix Netflix The new Netflix film Moxie, directed by Amy Poehler from the book by Jennifer Mathieu, tries to stuff a lot of things into two hours. The zine leads to the formation of a Moxie club, and then to something of a movement. It’s also a story about Vivian as the child of a single mom (played by Poehler), and how she struggles with her mom’s desire to date.

These are good things. Still, there’s an awful lot more to intersectionality than associating yourself with a diverse group of allies, particularly if they’re organized around your own founding document (in this case, the Moxie zine). It was probably never within reach to create a single two-hour film that focused on Vivian’s personal story to this degree and also felt fully and richly representative of some cross-section of young feminist experiences.

The things that affect them in ways that are particular are mentioned from time to time, but briefly, and perhaps a little dutifully. (One further note: The diversity on display here doesn’t really include body type. Moxie doesn’t seem to make its emotional merch in plus sizes, if you get my drift.)

And there are indeed things here that a lot of girls, particularly girls whose experiences line up with Vivian’s, may respond to and learn from: the need to stand up for yourself, the formation of a political and personal identity, the power of protest. Furthermore, this really is a solid introduction to some of the gender issues the Moxie girls are concerned about. It really is lousy that girls experience the policing and the bullying that these girls do.

Her developing relationship with Seth is charming (even if he’s a bit of an idealized feminist boyfriend), and her combination of excitement and horror about making authority figures angry comes through in both her scenes with her mom and her scenes with her odious school principal, played by Marcia Gay Harden. The moment in which you begin to explore your own tolerance for risks and consequences in the interest of things you think are important is indeed a rite of passage; this is one story about how that plays out for one young woman. To the degree Moxie is meant to be a feminist project, what the failures and limitations of ’90s feminism (and many white women’s feminism generally) call for isn’t for Moxie to successfully get its arms around everybody’s experiences and tell everybody’s story.

What Is The Name Of The Netflix Movie Based Off Of?

Can’t get enough of Netflix’s book-to-film adaptations? You’re in luck because the streaming service just released Moxie, a new movie based off a popular young adult novel with the same name. The film Moxie is currently streaming on Netflix.

Vivian, played by Little Women actor Hadley Robinson, is inspired by her mom’s (played by Amy Poehler) rebellious past and decides to publish an anonymous magazine that calls out the school’s sexist practices. Hadley Robinson stars in Moxie as Vivian, a 16-year-old high school student. Poehler is no stranger to films that highlight issues that are close to teenagers’ hearts, and famously starred in Mean Girls in 2004.

This project was so great to work on because there were women in front of and behind the camera and we all got to collaborate together, she said. I work every day all day with women so it’s my favorite way to work. Moxie has an impressive cast The Netflix film, which is based off of Jennifer Mathieu’s 2017 novel of the same name, has a diverse cast and mix of familiar names and new faces.

I was 24 when we shot the movie and it was fun. I think I wish that this had been my high school experience where I really did start a revolution, I encourage it, she told Hoda and Jenna.