German TV Dramas – Babylon Berlin

In the current boom in German TV dramas, no show has drawn more rave reviews worldwide than “Babylon Berlin”. The series’ lavish budget is all there on the screen, but critics are swooning over far more than the extravagant production values. The show is airing in more than 90 other territories, including India and Africa – an unheard-of reach for a German series.

Rath swiftly learns that to be a vice cop in Weimar-era Berlin is the most thankless of tasks: a decade of economic desperation and political unrest has fueled a culture of brazen amorality. By day, left-wing demonstrators clash with police and well-armed paramilitaries in the streets; by night, the city is electric as hedonists pack the clubs in pursuit of the latest thrills. Recklessly modern Berlin is both intoxicating and sobering.When Rath recognizes a corpse in the morgue as a Russian who had clearly been tortured, he finds that his bosses are oddly uninterested in the case.

Her family’s dire poverty drives her to earn money any way she can, even if it means leading a double life – police detective’s girl Friday from nine to five and plying a less reputable trade in the city’s underground sex clubs after midnight. Lotte’s intimate knowledge of Berlin after dark makes her the ideal partner in Rath’s investigations: she leads him to the locales he might never find on his own The advanced PR for Babylon Berlin focused on its budget. At a reported 40 million Euros, this is not just the most expensive German-language series ever made, but reportedly the most expensive non–English language series, period.

Also noteworthy are exterior shots that show entire city blocks with no discernible CGI. Around 70 percent of the series was filmed on location during a 185-day shoot, and it all feels authentic. SOMEWHERE, FRITZ LANG IS SMILING Babylon Berlin places the audience at the center of a whirlwind of cultural and political agitation.

The third season started filming in late 2018, with the principal cast and the creative trio of Tykwer, von Borries and Handloegten all returning. Filming was completed in May 2019 and broadcasting rights for the third season had been sold to 35 Countries before the filming had even concluded. In the US, the third season launched on March 1st 2020 with all 12 episodes available at once on Netflix, and the buzz on a possible Season 4 is getting louder already as well – news that makes us want to raise a Berliner Weisse in celebration.

What’S The Name Of The Crime Series In Berlin?

Germany’s ‘Babylon Berlin’ Crime Series Is Like ‘Cabaret’ On Cocaine Enlarge this image toggle caption Frederic Batier/X Filme Creative Pool Frederic Batier/X Filme Creative Pool German television is coming into its own. After the recent stateside success of shows like Dark and Deutschland 83, the latest subtitled offering is a crime series set in 1920s Berlin. True to the party drug of the era, you could say this new series is Cabaret on cocaine.

It’s set before the rise of fascism, and a few months before the American stock market crash. Co-creator Achim von Borries says a German period drama that’s not about World War II or the Cold War is long overdue. In the ’20s, it was really the capital of the world.

In the city where Albert Einstein, Bertolt Brecht, Kurt Weill, Marlene Dietrich and Walter Benjamin set the artistic and intellectual pulse, Babylon Berlin follows a different beat — that of police inspector Gereon Rath. According to co-writer and -director Tom Tykwer (best known for his 1998 film Run Lola Run), Weimar Berlin was as rich in crime as it was in culture. In the first episode, Rath and his partner, Bruno Wolter, arrest a former colleague who’s now a heroin addict living on the streets.

There’s a lot of talk about an emasculated society at the time, she says. You can’t talk about the war, you want to move on. So the trauma is absolutely horrific.

It’s in one of those nightclubs that the show introduces its female lead, Charlotte Lotte Ritter. By day, she’s a typist at the police headquarters; by night, she’s a casual sex worker in the club’s fetish cellar, where she earns extra cash to escape her squalid tenement. Ritter is an emancipated Weimar woman — she’s even allowed to vote — and she’s the perfect foil to Rath’s shattered, male soul.

In the current boom in German TV dramas, no show has drawn more rave reviews worldwide than “Babylon Berlin”. The series’ lavish budget is all there on the screen, but critics are swooning over far more than the extravagant production values. The show is airing in more than 90 other territories, including India and Africa – an unheard-of reach for a German series.

Rath swiftly learns that to be a vice cop in Weimar-era Berlin is the most thankless of tasks: a decade of economic desperation and political unrest has fueled a culture of brazen amorality. By day, left-wing demonstrators clash with police and well-armed paramilitaries in the streets; by night, the city is electric as hedonists pack the clubs in pursuit of the latest thrills. Recklessly modern Berlin is both intoxicating and sobering.When Rath recognizes a corpse in the morgue as a Russian who had clearly been tortured, he finds that his bosses are oddly uninterested in the case.

Her family’s dire poverty drives her to earn money any way she can, even if it means leading a double life – police detective’s girl Friday from nine to five and plying a less reputable trade in the city’s underground sex clubs after midnight. Lotte’s intimate knowledge of Berlin after dark makes her the ideal partner in Rath’s investigations: she leads him to the locales he might never find on his own The advanced PR for Babylon Berlin focused on its budget. At a reported 40 million Euros, this is not just the most expensive German-language series ever made, but reportedly the most expensive non–English language series, period.

Also noteworthy are exterior shots that show entire city blocks with no discernible CGI. Around 70 percent of the series was filmed on location during a 185-day shoot, and it all feels authentic. SOMEWHERE, FRITZ LANG IS SMILING Babylon Berlin places the audience at the center of a whirlwind of cultural and political agitation.

The third season started filming in late 2018, with the principal cast and the creative trio of Tykwer, von Borries and Handloegten all returning. Filming was completed in May 2019 and broadcasting rights for the third season had been sold to 35 Countries before the filming had even concluded. In the US, the third season launched on March 1st 2020 with all 12 episodes available at once on Netflix, and the buzz on a possible Season 4 is getting louder already as well – news that makes us want to raise a Berliner Weisse in celebration.

What’S The Name Of The Crime Series In Berlin?

Germany’s ‘Babylon Berlin’ Crime Series Is Like ‘Cabaret’ On Cocaine Enlarge this image toggle caption Frederic Batier/X Filme Creative Pool Frederic Batier/X Filme Creative Pool German television is coming into its own. After the recent stateside success of shows like Dark and Deutschland 83, the latest subtitled offering is a crime series set in 1920s Berlin. True to the party drug of the era, you could say this new series is Cabaret on cocaine.

It’s set before the rise of fascism, and a few months before the American stock market crash. Co-creator Achim von Borries says a German period drama that’s not about World War II or the Cold War is long overdue. In the ’20s, it was really the capital of the world.

In the city where Albert Einstein, Bertolt Brecht, Kurt Weill, Marlene Dietrich and Walter Benjamin set the artistic and intellectual pulse, Babylon Berlin follows a different beat — that of police inspector Gereon Rath. According to co-writer and -director Tom Tykwer (best known for his 1998 film Run Lola Run), Weimar Berlin was as rich in crime as it was in culture. In the first episode, Rath and his partner, Bruno Wolter, arrest a former colleague who’s now a heroin addict living on the streets.

There’s a lot of talk about an emasculated society at the time, she says. You can’t talk about the war, you want to move on. So the trauma is absolutely horrific.

It’s in one of those nightclubs that the show introduces its female lead, Charlotte Lotte Ritter. By day, she’s a typist at the police headquarters; by night, she’s a casual sex worker in the club’s fetish cellar, where she earns extra cash to escape her squalid tenement. Ritter is an emancipated Weimar woman — she’s even allowed to vote — and she’s the perfect foil to Rath’s shattered, male soul.

In the current boom in German TV dramas, no show has drawn more rave reviews worldwide than “Babylon Berlin”. The series’ lavish budget is all there on the screen, but critics are swooning over far more than the extravagant production values. The show is airing in more than 90 other territories, including India and Africa – an unheard-of reach for a German series.

Rath swiftly learns that to be a vice cop in Weimar-era Berlin is the most thankless of tasks: a decade of economic desperation and political unrest has fueled a culture of brazen amorality. By day, left-wing demonstrators clash with police and well-armed paramilitaries in the streets; by night, the city is electric as hedonists pack the clubs in pursuit of the latest thrills. Recklessly modern Berlin is both intoxicating and sobering.When Rath recognizes a corpse in the morgue as a Russian who had clearly been tortured, he finds that his bosses are oddly uninterested in the case.

Her family’s dire poverty drives her to earn money any way she can, even if it means leading a double life – police detective’s girl Friday from nine to five and plying a less reputable trade in the city’s underground sex clubs after midnight. Lotte’s intimate knowledge of Berlin after dark makes her the ideal partner in Rath’s investigations: she leads him to the locales he might never find on his own The advanced PR for Babylon Berlin focused on its budget. At a reported 40 million Euros, this is not just the most expensive German-language series ever made, but reportedly the most expensive non–English language series, period.

Also noteworthy are exterior shots that show entire city blocks with no discernible CGI. Around 70 percent of the series was filmed on location during a 185-day shoot, and it all feels authentic. SOMEWHERE, FRITZ LANG IS SMILING Babylon Berlin places the audience at the center of a whirlwind of cultural and political agitation.

The third season started filming in late 2018, with the principal cast and the creative trio of Tykwer, von Borries and Handloegten all returning. Filming was completed in May 2019 and broadcasting rights for the third season had been sold to 35 Countries before the filming had even concluded. In the US, the third season launched on March 1st 2020 with all 12 episodes available at once on Netflix, and the buzz on a possible Season 4 is getting louder already as well – news that makes us want to raise a Berliner Weisse in celebration.

What’S The Name Of The Crime Series In Berlin?

Germany’s ‘Babylon Berlin’ Crime Series Is Like ‘Cabaret’ On Cocaine Enlarge this image toggle caption Frederic Batier/X Filme Creative Pool Frederic Batier/X Filme Creative Pool German television is coming into its own. After the recent stateside success of shows like Dark and Deutschland 83, the latest subtitled offering is a crime series set in 1920s Berlin. True to the party drug of the era, you could say this new series is Cabaret on cocaine.

It’s set before the rise of fascism, and a few months before the American stock market crash. Co-creator Achim von Borries says a German period drama that’s not about World War II or the Cold War is long overdue. In the ’20s, it was really the capital of the world.

In the city where Albert Einstein, Bertolt Brecht, Kurt Weill, Marlene Dietrich and Walter Benjamin set the artistic and intellectual pulse, Babylon Berlin follows a different beat — that of police inspector Gereon Rath. According to co-writer and -director Tom Tykwer (best known for his 1998 film Run Lola Run), Weimar Berlin was as rich in crime as it was in culture. In the first episode, Rath and his partner, Bruno Wolter, arrest a former colleague who’s now a heroin addict living on the streets.

There’s a lot of talk about an emasculated society at the time, she says. You can’t talk about the war, you want to move on. So the trauma is absolutely horrific.

It’s in one of those nightclubs that the show introduces its female lead, Charlotte Lotte Ritter. By day, she’s a typist at the police headquarters; by night, she’s a casual sex worker in the club’s fetish cellar, where she earns extra cash to escape her squalid tenement. Ritter is an emancipated Weimar woman — she’s even allowed to vote — and she’s the perfect foil to Rath’s shattered, male soul.

In the current boom in German TV dramas, no show has drawn more rave reviews worldwide than “Babylon Berlin”. The series’ lavish budget is all there on the screen, but critics are swooning over far more than the extravagant production values. The show is airing in more than 90 other territories, including India and Africa – an unheard-of reach for a German series.

Rath swiftly learns that to be a vice cop in Weimar-era Berlin is the most thankless of tasks: a decade of economic desperation and political unrest has fueled a culture of brazen amorality. By day, left-wing demonstrators clash with police and well-armed paramilitaries in the streets; by night, the city is electric as hedonists pack the clubs in pursuit of the latest thrills. Recklessly modern Berlin is both intoxicating and sobering.When Rath recognizes a corpse in the morgue as a Russian who had clearly been tortured, he finds that his bosses are oddly uninterested in the case.

Her family’s dire poverty drives her to earn money any way she can, even if it means leading a double life – police detective’s girl Friday from nine to five and plying a less reputable trade in the city’s underground sex clubs after midnight. Lotte’s intimate knowledge of Berlin after dark makes her the ideal partner in Rath’s investigations: she leads him to the locales he might never find on his own The advanced PR for Babylon Berlin focused on its budget. At a reported 40 million Euros, this is not just the most expensive German-language series ever made, but reportedly the most expensive non–English language series, period.

Also noteworthy are exterior shots that show entire city blocks with no discernible CGI. Around 70 percent of the series was filmed on location during a 185-day shoot, and it all feels authentic. SOMEWHERE, FRITZ LANG IS SMILING Babylon Berlin places the audience at the center of a whirlwind of cultural and political agitation.

The third season started filming in late 2018, with the principal cast and the creative trio of Tykwer, von Borries and Handloegten all returning. Filming was completed in May 2019 and broadcasting rights for the third season had been sold to 35 Countries before the filming had even concluded. In the US, the third season launched on March 1st 2020 with all 12 episodes available at once on Netflix, and the buzz on a possible Season 4 is getting louder already as well – news that makes us want to raise a Berliner Weisse in celebration.

What’S The Name Of The Crime Series In Berlin?

Germany’s ‘Babylon Berlin’ Crime Series Is Like ‘Cabaret’ On Cocaine Enlarge this image toggle caption Frederic Batier/X Filme Creative Pool Frederic Batier/X Filme Creative Pool German television is coming into its own. After the recent stateside success of shows like Dark and Deutschland 83, the latest subtitled offering is a crime series set in 1920s Berlin. True to the party drug of the era, you could say this new series is Cabaret on cocaine.

It’s set before the rise of fascism, and a few months before the American stock market crash. Co-creator Achim von Borries says a German period drama that’s not about World War II or the Cold War is long overdue. In the ’20s, it was really the capital of the world.

In the city where Albert Einstein, Bertolt Brecht, Kurt Weill, Marlene Dietrich and Walter Benjamin set the artistic and intellectual pulse, Babylon Berlin follows a different beat — that of police inspector Gereon Rath. According to co-writer and -director Tom Tykwer (best known for his 1998 film Run Lola Run), Weimar Berlin was as rich in crime as it was in culture. In the first episode, Rath and his partner, Bruno Wolter, arrest a former colleague who’s now a heroin addict living on the streets.

There’s a lot of talk about an emasculated society at the time, she says. You can’t talk about the war, you want to move on. So the trauma is absolutely horrific.

It’s in one of those nightclubs that the show introduces its female lead, Charlotte Lotte Ritter. By day, she’s a typist at the police headquarters; by night, she’s a casual sex worker in the club’s fetish cellar, where she earns extra cash to escape her squalid tenement. Ritter is an emancipated Weimar woman — she’s even allowed to vote — and she’s the perfect foil to Rath’s shattered, male soul.